Blog

Uncategorized

FUORIPISTA


Waiting for the Olympic and Paralympic Winter Games of Milan Cortina 2026, gres art 671 presents an exhibition dedicated to winter sports, with a look that spans between art, architecture and research.
Contemporary works and historical works: paintings, installations, photographs, videos, archival materials tell the view of art on winter sports and the mountain world as a place of desire, exploration and discovery, but also with the support of technology, society, the climate crisis and adaptation.
From Pieter Bruegel to Andreas Gursky, from Carlo Mollino to Laura Millard, from Randa Kherba and Ludwig Berger, from Walter Niedermayr and Kari Medig, to Giovanni Betti, Katharina Fleck, and many more.
For the first time gres art 671 commissions an unpublished work at Masbedo, a work at Studio Numechi and a research work at Studio Folder.
A journey through stories and microstories of snow that bring an OFF-ROAD perspective, into the winter imaginary.
editing 2050+ with gres art 671
exhibition design by 2050+
promoted by Fondazione Pesenti with the contribution of Italmobiliare
As part of the Cultural Olympiad of Milan Cortina 2026 @milanocortina2026 #MilanoCortina2026 #Olimpiadi
#Paralimpiadi #OlimpiadeCulturale
#gresart671 #fuoripista #artesportinverno
@fondazionepesenti@2050.plus
Ghost Net Drawing Svalbard Selected Works

Ghost Net Drawing, Svalbard 2021

Changes we are making on a global scale to our environment are accelerated in locations where I have recently made work. In both Canada and Norway, I have focused on visualizing precarious landscapes on the verge of radical change. Sailing around Svalbard, Norway, we collected large amounts of garbage, fishing nets and ropes. At each site, I used these objects as large drawing tools, dragging them through the sand and snow before we loaded them on the sailboat. I photograph ephemeral drawings situated in the landscape and print them on recycled fabric and paper. 

On the Arctic Circle residency, Laura Millard reclaimed a ghost net in Svalbard—one of many lost, abandoned, or discarded commercial fishing nets that plague our waters. Recovering and using the net to draw the symbol for infinity in the ephemeral snow, Millard continued her approach to large-scale land art by photographing the drawing with a drone and painting over the print, rendering it to memory, and preserved. As in the cycle of life, the land is returned to itself.

Noah Gano
Ghost Net Drawing Svalbard 40×60 inches, watercolour, gouache, pencil, chalk on photograph on hahnemuhle paper
Ghost Net Drawing Svalbard
Ghost Net Drawing Svalbard 40×60 inches, watercolour, gouache, pencil, chalk on photograph on hahnemuhle paper
Collapse news

Shared Terrain: DesignTO Project Exhibition

‘Shared Terrain’ is a group exhibition that fosters cultural exchange between the Nordic Region and Canada. This exhibition is structured around exchange and conversation between 10 creatives from distant locations who are collaborating with each other for the first time.

Artists and designers from Canada and the Nordic Region are paired in 5 groups, working together virtually from September to December to create new work for the exhibition. They are invited to be inspired by each other, exploring the connections between their practices with respect to their regional locations and cultural histories.

This exhibition features the work of Carissa Baktay (Canada and Iceland), Laura Millard (Canada), Teemu Salonen (Finland), Randi Samsonsen (Faroe Islands), Katarina Spik Skum (Sápmi, Sweden), Anie Toole (Canada), Lillian Tørlen (Norway), Wednesday Architecture (Denmark), Justine Woods (Aabitaawizininiwag, Canada), and Boris Yu (Canada).